A Brief History Of # 1975

Part of my longtime project A Brief History Of which wants to explore the 20th century culture. As an open curatorial project it grows rhizomatically in various directions. Since late 2009 I am assembling a list of influential works by composers, musicians, writers, philosophers, artists, filmmakers, choreographers and photographers. Next to popular stuff with high artistic impact you´ll find more unknown pieces of avantgarde origin, high next to so called low culture. Gradually the works should be described, interviews should be held and correlations should be researched. Although this project actually must be a work in progress it shall merge into a book and a film.

This is (so far)…

1975


PAUL FEYERABEND, Wider den Methodenzwang


MICHEL FOUCAULT, Surveiller et punir. Naissance de la prison


HILARY PUTNAM, Mathematics, Matter and Method. Philosophical Papers, vol. 1


DMITRI SCHOSTAKOWITSCH, Sonate für Viola und Klavier op. 147 (last work)


JOHN ZORN, Archery (improvisational composition, game theory)


PHILIP GLASS, Einstein on the Beach


BRIAN FERNEYHOUGH, Transit


BRIAN ENO, Another Green World (EG)


JOHN OSWALD, Power („Plunderphonics“)


GRUPO FOLKLORICO Y EXPERIMENTAL NUEVAYORQUINO, Concepts In Unity (Salsoul)


PATTI SMITH, Horses (Arista)


BOB DYLAN, Blood on the Tracks


LOU REED, Metal Machine Music (pure noise)


NEIL YOUNG WITH CRAZY HORSE, Zuma (with Cortez the Killer)


KEITH JARRETT, The Köln Concert


LEE SCRATCH PERRY, Revolution Dub


IVOR CUTLER, Velvet Donkey


GARRY WINOGRAND, Women are beautiful


W. EUGENE SMITH, Minamata


IKKO NARAHARA, Where Time has vanished


CHARLES GATEWOOD, Sidetripping (text by William Burroughs)


ORSON WELLES, F for Fake


LINO BROCKA, Manila: Sa mga Kuko ng Liwanag (Manila: In the Claws of Light)

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